| Acknowledgments |
| Introduction—What This Book Is and Isn’t... |
|
| Chapter One: Surviving To Succeed |
| Chapter Two: Career Acting |
| A |
Acting Classes, Actors, Ageism, Agents, Attitude, Auditions, Avoiding Scams |
| B |
Background Work, Billing and Credits, Breakdowns, Burn Out |
| C |
Casting Directors, Casting Director Workshops, Cold Reading, Commercial Auditioning, Commissions, Consistency, Continuity, Coverage, Crashing auditions |
| D |
Demo Reels, Dialects, Directors, Distractions, Down Cycles |
| E |
Earthquakes, Energy |
| F |
Feedback, Film Auditions, Freelancing |
| G |
Getting Cut, Giving Back, Going Up on Lines, Good Stuff |
| H |
Headshots, Hitting a Mark, Hype |
| I |
Inexperience, Internet–itis, Is It Really Worth It? |
| J |
Jaded, Joining SAG |
| K |
Keeping the Faith |
| L |
Lateness, Looks, Los Angeles—The Living Film Set and Beyond, Los Angeles or New York?, Luck |
| M |
Managers, Marketing |
| N |
Neighborhoods, Nepotism, Nonunion work, Nudity, Numbers |
| O |
On–Set, Overcoming Problem Areas |
| P |
Photographers, Pilot Season, Producers, Public Transportation |
| Q |
Quiet Acting, Quick Results, Quotes |
| R |
Rejection, Residuals, Reviews, Runaway and Disappearing Productions |
| S |
Safety, Self–Esteem, Sexual Harassment, Sides, Stars, Studio Lots, Survival Jobs |
| T |
Television Auditions, Test Deals, Theatre in Los Angeles, Tracking, Traffic, Turning Down work, Typecasting |
| U |
Unemployment |
| V |
Victim Mentality, Voice–Over Work |
| W |
Waiting Rooms, Watching the Show, Working Out |
| X,Y,Z |
X–Rated, You, the Boss of You, Sealots, Zero Auditions |
|
| Concluding Thoughts |