The Subject Is Story
Wendy Bishop, Florida State University, Hans Ostrom, University of Puget Sound
This product is part of the series: The Teaching the Novels of YA Authors Series
ISBN 978-0-86709-534-0 / 0-86709-534-2 / 2003 / 200pp / Paperback
Imprint: Boynton/Cook
Availability: In Stock
Grade Level: College
*Price and availability subject to change without notice.
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The fourteen essays that comprise The Subject Is Story offer varied and exciting invitations to students to become more aware of story—in literature, in folktales, in gossip, in their own writing and reading. The essayists encourage classroom authors and their teachers to investigate how story and storytelling function in their lives. They consider the persistence and adaptability of story as well as the way story acts as a tool for discovery and recovery, connecting individuals to their communities. They show how story is persuasive, speculative, and reflective, allowing writers and their readers to travel culturally and intellectually. Used as a writing classroom text, The Subject Is Story encourages students to consider who they are, where they've been, where they may be going, and how story supports them as writers, community members, and participants in the larger world. Written for and to students, these pedagogical essays are intended to
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Forword by Kenneth S. Goodman
Acknowledgments
Part I: The Persistence of Story
1.
Story, Stories, and You, Hans Ostrom
2.
Narration and Argument, James A. Herrick
3.
Looking for Dr. Fuller: Story Strategies and Essays, Douglas Hesse
Part II: Story, Discovery, and Recovery
4.
Storytelling, Writing, and Finding Yourself, John Boe
5.
Remembering Great Ancestors: Story as Recovery, Story as Quest, Stuart H. D. Ching
6.
The Stories We Are: Old Meshikee and the Winter of 1929, Michael Spooner
7.
The Poems Came Late: Literacy as Cultural Dialogue, David Wallace
Part III: Story in Context: Responsibility, Community, Heritage
8.
Personal Experience Narratives: What Are Our Responsibilities as Storytellers?, Robert Brooke, Rochelle Harris, Jeannine Nyangira
9.
Sympathy for the Devil? Risk Taking in Writing About Fear, Carolyn Alessio
10.
Necessary Confessions: Personal Stories, Personal Writing, and Writerly Communities, Joseph Eng
11.
Ancient Tradition and Contemporary Storytelling, Gayle W. Duskin
Part IV: Persuasion, Product, Process, and Story
12.
Cognitive Travelogue: The Essay as Travel Narrative, Paul Heilker
13.
Suasive Narrative and the Habit of Reflection, Stephanie Dyer and Dana C. Elder
14.
Telling Process Stories, Drawing Product Lessons, Wendy Bishop
Part V: Hint Sheets for Students and Teachers
A.
Additional Ancestry Writing Invitation, Stuart H.D. Ching
B.
On Inviting and Being Invited to Author Your Life, David Wallace
C.
The Personal Experience Essay; the Expository/Informative Essay; and the Feature Article, Joseph Eng
D.
Assigning and Responding to the Suasive Narrative, Stephanie Dyer and Dana C. Elder
E.
The Literacy Narrative, Writing Metaphors, and Letter from the Future, Wendy Bishop
Contributors’ Notes
No PD Resources available from Wendy Bishop.
No PD Resources available from Hans Ostrom.





