In reading workshop classrooms, many goals that teachers have for students and that students have for themselves are tangible and measurable. These include being able to read books at higher levels of text complexity and becoming more skilled in areas such as inferencing, predicting, and thinking critically. There are other goals that workshop teachers keep in mind that are perhaps less tangible and measurable but are nonetheless just as important when helping children to develop thoughtful, rich reading lives. These include working well in partnerships, developing greater independence in managing the reading process, and bravery when tackling the challenges that arise when becoming a better reader.
Kids’ thinking matters. When students begin to understand that their thinking matters, reading changes. Throughout the school day, kids are actively questioning, discussing, arguing, debating, responding, and generating new knowledge. We can’t read kids’ minds, but one way to open a window into their understanding is to help them bring their thinking to the surface by talking and writing about it.
The Primary and Intermediate Comprehension Toolkits emphasize responsive teaching with lessons that explicitly teach the language of thinking. With this metacognitive scaffolding, teachers are able to gradually release to kids the responsibility for comprehending the wide variety of nonfiction texts they encounter. Toolkit lessons strengthen the specific kinds of thinking proficient readers use: six comprehension strategies that research has shown are part of an effective reader’s mental toolkit. The Comprehension Toolkit guides you through the explicit instruction of these six comprehension strategies:
To move a child to become a lifelong reader and writer takes commitment, passion, resources, and teamwork. The most powerful teams extend beyond the child and her classroom teacher to include other students, other teachers and administrators, and, not least, the child’s parents and caregivers. Certainly, in most cases, everyone on the team wants the child to succeed at reading and writing. But on the best teams, everyone shares an understanding of what success looks like and what it takes to get there.
Let's face it, the idea of jumping into student-directed inquiry can be overwhelming. Fears over releasing control to students—and visions of students losing control—can seem like too much to handle to even consider dipping one’s toe into the waters of inquiry. But the truth is, successful student-directed inquiry is a highly structured, adaptable framework that honors kids questions about the world and fits any curriculum. There is no need for it to be scary.
In the following video, author Harvey “Smokey” Daniels talks about how doing inquiry correctly can turn that trepidation into fulfillment and fun for both teachers and students alike.
Partner reading is important for many reasons. Literacy is a socially constructed activity involving reading, writing, speaking, listening, viewing, and visually representing. Reading together and talking about books can provide partners with enriching experiences, thinking, and conversation that would not take place while reading independently. In addition to the motivation, engagement, and social aspects, Rogoff (1990) documented interactions between partners that led to each child achieving a higher level of understanding than working by themselves. This could be due to the type of talk surrounding partner reading. Brown (2006) found five major themes of talk occurred during partner reading time in second grade: organizational, disputational, word strategy, meaning making, and personal talk. All of these, except personal talk, supported partner reading.
In The Stories of Science, authors Janet MacNeil, Mark Goldberg, and Melissa London describe how many of the elements of good science stories are meant to grab and hold the attention of the audience. (After all, what value is a story with no audience?) As they put it "In the movie The Never Ending Story, a boy reads a magical book and finds himself falling into the fantasy world described by the author. This is exactly what we want the audience to do when they read, hear, or see science stories."
In the book, the authors point to several strategies are used to lure readers into a story (and keep them there). Here are the four essential elements of engaging science stories: